ANTI Festival International Prize for Live Art
winner 2018 to be announced here
Funded by the Saastamoinen Foundation.
Funded by the Saastamoinen Foundation.
Four outstanding contemporary artists/collectives from across the globe are set to compete for the 2018 prize, they are: All The Queens Men (Australia), Nic Green (United Kingdom), Jeanne van Heeswijk (Netherlands) and Sonya Lindfors (Finland). The urgent contributions these celebrated artists make to cultural life share a fascination with the questions of our time, essaying ideas of inclusion, equality, community, diversity, feminism, power and blackness. Read more about the shortlisted artists below!
Established by Australian artists Tristan Meecham and Bec Reid, All The Queens Men (ATQM) champion social equality celebrating diverse communities through creative actions, contemporary arts and socially engaged frameworks. Combining contemporary art forms and tropes, All The Queens Men engage people from different backgrounds in the making and performing of their inclusive works, celebrating these ‘everyday experts’ in exciting and technically proficient art contexts. With over 30 years of combined experience, All The Queens Men have presented their work globally across arts festivals and other cultural contexts. Some of their recent creative actions include The Coming Back Out Ball (2017-), Congress (2017) and Fun Run (2015-), and in 2018 they received Victorian Green Room Award for their 2017 Body of Work. READ MORE
Nic Green is an award-winning performance maker based in Glasgow, Scotland. Her work is varied in style and method, with forms often ‘found’ through collaborative and relational practices with people, place and material. Her work has received several awards, commissions and recognitions including A Herald Angel, ‘Best Production’ at Dublin Fringe, The Adrian Howells Award for Intimate Performance, Total Theatre Award for Best Physical/Visual Theatre Edinburgh Fringe and is the recipient of the inaugural Forced Entertainment Award. Green is the 2018 Artist in Residence at National Theatre Scotland, and teaches Directing at the University of Glasgow. Green’s recent works include Cock and Bull (2015-2017), Seven Bridges (2015) and Trilogy (re-mount 2016). READ MORE
Jeanne van Heeswijk is an artist who facilitates the creation of dynamic and diversified public spaces in order to “radicalize the local.” Her long-scale community-embedded projects question art’s autonomy by combining performative actions, discussions, and other forms of organising and pedagogy in order to assist communities to take control of their own futures. Her work has been featured in publications worldwide, as well as internationally renowned biennials including those in Liverpool, Shanghai, and Venice. Her celebrated works include Philadelphia Assembled (2016), Wastelanders (2012) and The Blue House (2005). van Heeswijk received the 2014-2015 Keith Haring Fellowship in Art and Activism at Bard College and the Leonore Annenberg Prize for Art and Social Change. READ MORE
Sonya Lindfors is a Helsinki based Finnish artist who works with choreography, facilitating, community organizing and education. She is the founder member and Artistic Director of UrbanApa, an inter-disciplinary and counter hegemonic arts community that offers a platform for new discourses and feminist art practices. Her recent series of stage works; NOIR? (2013), NOBLE SAVAGE (2016) and COSMIC LATTE (2018), centralizes questions around blackness and the black body. In 2013 UrbanApa received Finland’s State Award in dance art. In 2017, Lindfors received the Artist of the Year award from the Helsinki Municipality alongside Theatre Info Finland’s award for ”outstanding work on creating new discourse around blackness and otherness”. Across 2017-2018, Lindfors is the house choreographer of Zodiak – Center for New Dance in Helsinki. READ MORE
Jacques Rancière is one of the most significant and influential philosophers of our time. He is professor of philosophy at The European Graduate School and professor emeritus at the Université de Paris, VIII. Rancière is celebrated for his writing on aesthetics, education, politics, equality, emancipation, art and knowledge, among other topics. Over the last fifteen years, his work has been translated into English, and yet, while some of his writings remain untranslated into this global language, he has nonetheless cast a long shadow over the fields of politics, aesthetics, and education,well beyond the borders of France. He’s also known for being the student of the structuralist Marxist philosopher Louis Althusser with whom he co-authored the famous publication, Reading Capital (1968). More recently Rancière has written on the topic of human rights and specifically the role of international human rights organisations in asserting the authority to determine which groups of people
justify human rights interventions and even war. READ MORE
Eisa Jocson is a contemporary choreographer and dancer from the Philippines. Trained as a visual artist, with a background in ballet, she won her first pole-dancing competition in Manila in 2010. Her 3 solo works; Death of the Pole Dancer (2011), Macho Dancer (2013) and Host (2015) has toured extensively in major festivals worldwide, including Impulstanz, Vienna (2013), Noorderzon, Groningen (2013 & 2015), Tanz im August, Berlin (2013 & 2015), Zurich Theater Spektakel (2012, 2013, 2015 & 2017), Theatre der Welt (2014), Asia Triennial of Performing Arts, Melbourne (2017). The solos have been presented as a trilogy in LIVEWORKS festival in Sydney (2016) and Counterpulse festival & SF MOMA in San Francisco (2016). Macho Dancer won the Zürcher Kantonalbank Acknowledgement Prize 2013. She had her first solo exhibition, Philippine Macho Academy (2014) in Vargas Museum,
University of the Philippines. READ MORE
Lois Keidan is the co-founder and co-director of the Live Art Development Agency (LADA), London. LADA is a centre for Live Art: a research and knowledge centre, a production centre for programmes and publications, and an online centre for experimentation and dissemination. She was formerly the director of Live Art at the Institute of Contemporary Art (ICA), London; Performance Art officer at the Arts Council of Great Britain; and has worked for the Midland Group Nottingham and Theatre Workshop Edinburgh. She has been awarded honorary fellowships by Dartington College of Art, and Queen Mary University, Londonand an honorary doctorate
by University of Gothenburg. READ MORE